超人力霸王x線上看

導演田口清隆

類型特攝/動畫電影

太陽風曝喚醒了潛藏於地底的怪獸,吸引大量外星人攻擊地球。為防止異種入侵,地球成立了名為「XIO」的防衛組織。15年後,XIO的隊員大空大地成為「超人力霸王X」,奮力對抗怪獸和外星人。但在閻魔獸的恐怖力量下,超人X的光芒突然消失。XIO和超人夥伴能否找到封印怪獸的神秘力量,成功擊退魔獸大軍?

熱門短評

    有中文發音的版本嗎、不然小朋友都聽不懂

    14

    呃 那個..如果我覺得很中二是正常的嗎😅

    2

    有中文配音讓小朋友聽就滿分了!

    1

動漫 : 超人力霸王X 艾克斯奧特曼

超人力霸王x線上看

請點選下方影集數播放

  • 年份: 2015
  • 演員: 高橋健介 / 阪之上茜 / 細田善彥 / 松本享恭 / 月船沙羅羅
  • 集數: 24
  • 簡介: 有關本劇的情報並不多,不過有消息源指出,該劇類似《銀河奧特曼》,即主角艾克斯奧特曼可以 使用其他奧特曼戰士/怪獸的力量,不過區別點在於,主角艾克斯奧特曼可以借助特殊的卡牌使用其他奧特曼戰士/怪獸的力量(類似銀河奧特曼的火花軟膠人偶超變身設定),比如艾克斯奧特曼能數碼哥莫拉卡牌「合體,並且從海報的左上方我們能看到同數碼哥莫拉卡牌「合體」的X奧特曼,看起來有機甲的視覺。

各集列表:

  • 【國語】超人力霸王X 第24話【虹色的大地】
  • 【國語】超人力霸王X 第23話【淒美的終焉】
  • 【國語】超人力霸王X 第22話【羈絆,一體化】
  • 【國語】超人力霸王X 第21話【共同生存】
  • 【國語】超人力霸王X 第20話【渡的戀情】
  • 【國語】超人力霸王X 第19話【我的朋友是怪獸】
  • 【國語】超人力霸王X 第18話【狂拍!Xio 密集採訪24小時】
  • 【國語】超人力霸王X 第17話【戰士的背影】
  • 【國語】超人力霸王X 第16話【總集篇2:超越極限的勝利之光】
  • 【國語】超人力霸王X 第15話【閃耀的天空,相繫的大地】
  • 【國語】超人力霸王X 第14話【導向勝利之劍】
  • 【國語】超人力霸王X 第13話【彩虹的彼端】
  • 【國語】超人力霸王X 第12話【未知的友人】
  • 【國語】超人力霸王X 第11話【無法動彈的怪獸】
  • 【國語】超人力霸王X 第10話【我們是星雲隊】
  • 【國語】超人力霸王X 第9話【被盯上的X】
  • 【國語】超人力霸王X 第8話【總集篇1:邂逅與夥伴】
  • 【國語】超人力霸王X 第7話【超越星球的誓言】
  • 【國語】超人力霸王X 第6話【擁有星之記憶的男子】
  • 【國語】超人力霸王X 第5話【終極之盾,閃耀之時】
  • 【國語】超人力霸王X 第4話【All For One】
  • 【國語】超人力霸王X 第3話【呼喚夜幕之歌】
  • 【國語】超人力霸王X 第2話【無限的可能性】
  • 【國語】超人力霸王X 第1話【星空之聲】

超人力霸王x線上看

Distribution

Founded in 2007, CATCHPLAY quickly became a major player in movie entertainment business in Taiwan by providing a wide selection of films excelling in both quantity and quality. Over the years, CATCHPLAY has continued to distribute more than 30 films theatrically every year, an average of one movie every other week, and more than 100 titles for release on home videos, TV and digital platforms. Today, we are the largest independent distributor in Taiwan with a library of more than 2,000 titles, most of which CATCHPLAY owns all rights to exclusively.

超人力霸王x線上看

LINEAR MOVIE CHANNEL

Capitalizing on the digitalization of Taiwan’s pay TV systems, CATCHPLAY launched CATCHPLAY HD Movie Channel in early 2013. Today it has about 1 million subscribers through partnerships with major pay TV operators. Our diverse and wide range of content has made CATCHPLAY HD one of the most popular linear movie channels in Taiwan.

超人力霸王x線上看

CO-PRODUCTION AND INVESTMENTS

In 2014, in addition to distributing the movies CATCHPLAY loves, we embarked in earnest co-production and investment projects, venturing into content creation. In the same year, we invested in the locally produced film, Paradise in Service and co-produced 20 Once Again with CJ Entertainment for the Chinese market. Both investments generated considerable box office performance in Taiwan and China respectively.

In early 2015, we closed a partnership deal to invest in New Regency’s three enthralling titles, namely The Revenant, Assassin’s Creed and Splinter Cell, marking the first investment of a Taiwanese company in major Hollywood productions. CATCHPLAY and partners also control exclusive distribution rights to these films in Taiwan, China, Hong Kong and Macau, with The Revenant generating outstanding box office results from these territories in 2016. In the same year, CATCHPLAY also provided financing and local production support to director Martin Scorsese’s passion project Silence, making it the first international production filmed entirely in Taiwan.

Today, CATCHPLAY continues to look into investment and co-production opportunities internationally and in Asia targeting particularly Chinese-speaking territories and South East Asia following our recent expansion footprints.

超人力霸王x線上看

DIGITAL

CATCHPLAY started placing significant emphasis on the development of digital movie content years before the others did in Taiwan. Today, we are the largest provider for premium movie content in Taiwan, aggregating content from Hollywood studios including Disney, Warner Bros., NBC Universal and Paramount in addition to having a wide selection of international independent films and leading local productions for distribution on major operators’ digital platforms.

In addition to content aggregation, in 2015, CATCHPLAY established AsiaPlay Incorporated with the ambition of becoming the leading premium content service provider for movie lovers in Asia.

In March 2016, the CATCHPLAY+ service platform made its pilot launch in Taiwan in partnerships with major telecommunication operators and device manufacturers. In June 2016, the service platform launched in Indonesia, collaborating with market leaders IndiHome, Telkom Indonesia. This was followed by expanded partnerships with Telkomsel, Indosat and First Media, and in Singapore, collaboration with the market’s leading telecommunication operator, StarHub.

Today, CATCHPLAY Media Holdings Group owns two distinct companies – CATCHPLAY Incorporated, and AsiaPlay Incorporated – with involvement from production, distribution, linear movie channel operation and both content aggregation and platform operation for digital entertainment services.

超人力霸王x線上看

INTERNATIONALCONTENT SERVICE PLATFORM

In 2015, CATCHPLAY established AsiaPlay Incorporated with the ambition to become Asia’s largest movie content service provider. Instead of adopting major international players’ one ‘offer-fits-all’ strategy, we at CATCHPLAY with years of experience and passion for content, believes and embraces the importance of individual market’s unique needs and preference of content. Through our passion for movies and the belief in co-creation, internally and together with local leading operator’s partnership – we made it a mission to provide the ultimate content offering tailored for each market’s unique needs and deliver superior user experience that will be cherished by movie lovers universally.

In March 2016, the CATCHPLAY+ service made its pilot launch in Taiwan. In June 2016, the service launched in Indonesia, partnering with market leader Telkom Indonesia, and in Singapore, partnering with the market’s leading pay TV and telecommunication service provider, StarHub.

Today, CATCHPLAY Media Holdings Group owns two distinct companies: CATCHPLAY Incorporated, and AsiaPlay Incorporated, with involvement from production, theatrical distribution, linear movie channel and both content aggregation and platform operation for digital entertainment services.