朱莉婭·羅伯茨,喬治·克魯尼,凱特琳·德弗,馬克西姆·佈蒂爾,比莉·洛德,盧卡斯·佈哈沃,塞納·梅佈拉圖,塔拉·森圖爾克,穆蘭·凱恩,肖恩·林奇,艾薩克·普瑞斯特,羅米·普利耶,凡妮莎·埃弗裡特,辛提亞·達瑪揚提,羅溫··查普曼,易卜拉欣·伊西克塔斯,阿曼達·奧登普西
高庚杓,李伊庚,音文碩,朴世婉,郭東延
比利·艾希納,盧克·馬可法萊恩,蓋伊·佈蘭納姆,密斯·勞倫斯,茨·麥迪遜,多特-瑪麗·瓊斯,吉姆·拉什,愛娃林德麗,莫妮卡·雷蒙德,古列雷莫·迪亞茲,傑·羅德裡格斯,阿曼達·比爾斯,黛博拉·梅辛,彼得·Y·金,賈斯汀·科文頓,瑞安·福塞特,哈維·費斯特恩,楊伯文,喬治·德沃爾斯基,佈羅克·恰爾列利,基南·湯普森,艾米·舒默,埃弗裡特·昆頓,克裡斯汀·肯諾恩斯,香農·帕特裡夏·奧尼爾,馬修·威爾卡斯
周星馳,元秋,元華,黃聖依
沈騰,馬麗,常遠,李誠儒,黃才倫,辣目洋子,郝瀚,黃子韜,王成思,高海寶,楊錚,史彭元,張熙然,黃品沅,楊皓宇,徐志勝,杜曉宇,李海銀,陶亮,王贊,李唯賀,陳昊明,孟芷旭
尼古拉斯·凱奇,佩德羅·帕斯卡,蒂凡尼·哈迪斯,莎朗·豪根
吳恬敏,亨利·戈爾丁,楊紫瓊,嘉瑪·陳
凱特琳·德弗,伊莎貝拉·莫奈,凱爾·艾倫,明妮·德裡弗,克裡斯托弗·麥克唐納,佈萊德利·惠特福德,尼科·希拉加,肖恩·蒂爾,Henry,Hunter,Hall,Anton,Alexander,Miloud,Mourad,Benamara,Spencer,Stevenson,Alhaji,Fofana,Giulio,Greco
阿米爾·汗,卡琳娜·卡普爾,馬達范,沙爾曼·喬希
楊紫瓊,斯蒂芬妮·許,關繼威,吳漢章,傑米·李·柯蒂斯,珍妮·斯蕾特,塔麗·梅德爾,岑勇康,比夫·威夫,蘇妮特·瑪尼,阿隆·拉紮爾,佈萊恩·勒,安迪·黎,切爾西·戈德史密斯,克雷格·亨寧森,安東尼·莫利納利,丹·佈朗,帕努瓦特·安東尼·納納肯帕諾姆,卡拉·瑪麗·喬爾簡,蘭達爾·阿切爾,埃夫卡·科瓦拉西尤斯,奧德麗·瓦西萊夫斯基,佈恩·平考,蒂莫西·尤裡齊,西協美智子,蒂莫西·斯科特·拉爾斯頓,D.Y.,Sao
瑞安·雷諾茲,朱迪·科默,喬·基瑞,裡爾·萊爾·哈瓦瑞,塔伊加·維迪提,烏特卡什·安邦德卡爾,查寧·塔圖姆,休·傑克曼,道恩·強森,克裡斯·埃文斯
歐文·威爾遜,保羅·紐曼,邦尼·亨特,王牌接線員拉裡
肖恩·蒙德茲,哈維爾·巴登,吳恬敏,斯科特·麥克納裡,溫斯洛·費格雷,佈倫特·吉爾曼,薩爾·維斯庫索,多恩·迪皮塔,尤西·丘辟特,科拉·林德爾,馬克·威爾斯,林賽·莫澤,丹尼·所羅門
長澤雅美,東出昌大,小日向文世,竹內結子
徐珠賢,李濬榮
《我是妳的眼》(Heartstrings)描述十二歲的瑪莉是前途無可限量的大提琴神童、卻有一個不能說的秘密:她的視力逐漸退化,有可能會完全失明。瑪莉的父母想送她到視障學校,好讓女兒受到完整照料,但瑪莉一心想通過音樂學校入學考試,繼續精進琴藝;一旦就讀視障學校,多年努力都將化為泡影。 無計可施之下,瑪莉決定隱瞞病情,但視力不佳的她無法獨力通過考試,於是轉向同班同學維多求助。一直暗戀著瑪莉的維多,漸漸成為瑪莉的雙眼。他們能瞞過所有人保守秘密嗎?逐漸失去光明的瑪莉,又要如何重新看到亮光?
Distribution
Founded in 2007, CATCHPLAY quickly became a major player in movie entertainment business in Taiwan by providing a wide selection of films excelling in both quantity and quality. Over the years, CATCHPLAY has continued to distribute more than 30 films theatrically every year, an average of one movie every other week, and more than 100 titles for release on home videos, TV and digital platforms. Today, we are the largest independent distributor in Taiwan with a library of more than 2,000 titles, most of which CATCHPLAY owns all rights to exclusively.
LINEAR MOVIE CHANNEL
Capitalizing on the digitalization of Taiwan’s pay TV systems, CATCHPLAY launched CATCHPLAY HD Movie Channel in early 2013. Today it has about 1 million subscribers through partnerships with major pay TV operators. Our diverse and wide range of content has made CATCHPLAY HD one of the most popular linear movie channels in Taiwan.
CO-PRODUCTION
AND INVESTMENTS
In 2014, in addition to distributing the movies CATCHPLAY loves, we embarked in earnest co-production and investment projects, venturing into content creation. In the same year, we invested in the locally produced film, Paradise in Service and co-produced 20 Once Again with CJ Entertainment for the Chinese market. Both investments generated considerable box office performance in Taiwan and China respectively.
In early 2015, we closed a partnership deal to invest in New Regency’s three enthralling titles, namely The Revenant, Assassin’s Creed and Splinter Cell, marking the first investment of a Taiwanese company in major Hollywood productions. CATCHPLAY and partners also control exclusive distribution rights to these films in Taiwan, China, Hong Kong and Macau, with The Revenant generating outstanding box office results from these territories in 2016. In the same year, CATCHPLAY also provided financing and local production support to director Martin Scorsese’s passion project Silence, making it the first international production filmed entirely in Taiwan.
Today, CATCHPLAY continues to look into investment and co-production opportunities internationally and in Asia targeting particularly Chinese-speaking territories and South East Asia following our recent expansion footprints.
DIGITAL
CATCHPLAY started placing significant emphasis on the development of digital movie content years before the others did in Taiwan. Today, we are the largest provider for premium movie content in Taiwan, aggregating content from Hollywood studios including Disney, Warner Bros., NBC Universal and Paramount in addition to having a wide selection of international independent films and leading local productions for distribution on major operators’ digital platforms.
In addition to content aggregation, in 2015, CATCHPLAY established AsiaPlay Incorporated with the ambition of becoming the leading premium content service provider for movie lovers in Asia.
In March 2016, the CATCHPLAY+ service platform made its pilot launch in Taiwan in partnerships with major telecommunication operators and device manufacturers. In June 2016, the service platform launched in Indonesia, collaborating with market leaders IndiHome, Telkom Indonesia. This was followed by expanded partnerships with Telkomsel, Indosat and First Media, and in Singapore, collaboration with the market’s leading telecommunication operator, StarHub.
Today, CATCHPLAY Media Holdings Group owns two distinct companies – CATCHPLAY Incorporated, and AsiaPlay Incorporated – with involvement from production, distribution, linear movie channel operation and both content aggregation and platform operation for digital entertainment services.
INTERNATIONAL
CONTENT SERVICE PLATFORM
In 2015, CATCHPLAY established AsiaPlay Incorporated with the ambition to become Asia’s largest movie content service provider. Instead of adopting major international players’ one ‘offer-fits-all’ strategy, we at CATCHPLAY with years of experience and passion for content, believes and embraces the importance of individual market’s unique needs and preference of content. Through our passion for movies and the belief in co-creation, internally and together with local leading operator’s partnership – we made it a mission to provide the ultimate content offering tailored for each market’s unique needs and deliver superior user experience that will be cherished by movie lovers universally.
In March 2016, the CATCHPLAY+ service made its pilot launch in Taiwan. In June 2016, the service launched in Indonesia, partnering with market leader Telkom Indonesia, and in Singapore, partnering with the market’s leading pay TV and telecommunication service provider, StarHub.
Today, CATCHPLAY Media Holdings Group owns two distinct companies: CATCHPLAY Incorporated, and AsiaPlay Incorporated, with involvement from production, theatrical distribution, linear movie channel and both content aggregation and platform operation for digital entertainment services.